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Thinking Visually (Basics Illustration 01), by Mark Wigan
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Basics Illustration 01: Thinking Visually by Mark Wigan features a wide range of work, demonstrating diverse visual languages, context, ideas, techniques and skills. It also looks at the ways in which illustrators develop their own personal visual language.
Contemporary illustrators from all over the world engaged in a diverse range of approaches to the discipline have contributed their artwork and commentaries on visual thinking and the working process. The text also features the work of recent graduates, present students and observations from educators past and present.
- Sales Rank: #908218 in Books
- Published on: 2006-10-11
- Released on: 2006-10-11
- Original language: English
- Number of items: 1
- Dimensions: 9.17" h x .61" w x 6.47" l, 1.15 pounds
- Binding: Paperback
- 184 pages
About the Author
Mark Wigan is an artist, illustrator and academic. He was an early pioneer of trans-global club art in 1980s New York, London and Tokyo. Mark's work has evolved into a multimedia archive, chronicling the changing worlds of club culture and street style. For the past ten years, he has been lecturing worldwide and has led illustration programmes at a range of universities.
Most helpful customer reviews
5 of 6 people found the following review helpful.
Good intentions but unimaginative writing
By Adrian D. Nedelcu
Having bought the entire AVA Academia range of Illustration books, I've read several of them already and know what to expect. It's a great series, however, Basics Illustration: Thinking Visually by Mark Wigan could have been easily improved with minor tweaking. Much of the information contained within is just echoed from "The Fundamentals of Illustration."
I understand that this is an 'introductory' level book, so I wasn't expecting anything life changing in it. The book has several areas where it lists further research for styles and contemporary trends in the industry. This is great; this is exactly what the book needed to deliver. The book also suggest projects for individual improvement as well as guidelines by which to judge and challenge oneself.
So why did I give it only four stars? (Really merits 3 1/2, but Amazon doesn't expressly give you that option.)
The writing seems at times lazy and cringe-inducing. Mr. Wigan is a good illustrator but is also a 'lister', and much of the text is one gigantic, unreadable, stale block of solid text with only commas for comfort. To ILLUSTRATE as it were, imagine if you were reading a 160 page book where most of the text was run-on, repetitive, redundant, listless, uninspired, overly didactic, systematic, expected, uninterrupted, rambling, dry, foreseen, bland, stale, robotic, programmed, trance-like, stagnant, blurry, unnecessary, echoing, monotonous, drivelling, homogenous, and mediocre.
To be fair, reading the last part of my review is a little too critical. It might have been the only way to condense the text, but the problem could have been more innovatively solved. This is one of the few series of books on the subject that is well developed and fairly continuous in its level of quality and visual polish. It's just the listing that marrs the title, severely, at times.
4 of 5 people found the following review helpful.
Thinking visually, but not typographically
By Jan Tabery
This book is OK for inspiration thanks to its illustrations, but not very good for reading. The type setting is so poor, that your eyes get tired after reading one page. The author was thinking visually, but somehow forgot, that most books are meant to be read. This one will end up just to flip through. So, if you are thinking about buying it, look around, there are better books. Masters of Poster Design by John Foster is well worth the money for example.
0 of 0 people found the following review helpful.
Excellent first few steps into an unknown
By Terri Rowley
This whole AVA book series, along with Teaching Illustration: Course Offerings and Class Projects from the Leading Graduate and Undergraduate Programs by Marshall Arisman and The Education of an Illustrator by Marshall Arisman, make for the perfect independently learning course outside of and Education Institution for a fraction of the cost to get started. One might be able to supplement the norms of education, providing one joins some of the societies and groups, as well as attend some of the conferences and museums activities. Works their backside off developing a reputation, portfolio, and countless contacts through networking. But this seems like it would need to be done in an over flooded educational system and job market anyway. Aside from that this would be beneficial to the life long animation student or artist in the sense that it will provide an awakening or rejuvenated refreshment on different ways to approach and create it. Each book provides an excellent example of project ideas to start, choose, or revise. They also have professional working examples, industry insights, and reference pictures or inspiration to boost things along. This helps rather than just dry reading.
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