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Film Lighting: Talks with Hollywood's Cinematographers and Gaffers, by Kris Malkiewicz
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Newly revised and expanded, Film Lighting is an indispensable sourcebook for the aspiring and practicing cinematographer, based on extensive interviews with leading cinematographers and gaffers in the film industry
Film lighting is a living, dynamic art influenced by new technologies and the individual styles of leading cinematographers. Reporting on the latest innovations and showcasing in-depth interviews with industry experts, Film Lighting provides an inside look at how cinematographers and film directors establish the visual concept of the film and use the lighting to help tell the story. Using firsthand material from experts such as Oscar-winning cinematographers Dion Beebe, Russell Carpenter, Robert Elswit, Mauro Fiore, Janusz Kaminski, Wally Pfister, Haskell Wexler, and Vilmos Zsigmond, this revised and expanded edition provides an invaluable opportunity to learn from the industry’s leaders.
- Sales Rank: #608131 in Books
- Brand: Brand: Touchstone
- Published on: 1992-12
- Released on: 1986-08-11
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 7.00" w x .50" l, .85 pounds
- Binding: Paperback
- 198 pages
- Used Book in Good Condition
From Library Journal
A gaffer is the chief electrician on a movie set, and this book contains interviews with gaffers and cinematographers who know their business, including Conrad Hall, James Wong Howe, Haskell Wexler, Robert Wise, and Vilmos Zsigmond, among others. The book is divided into cinematography, lighting equipment, image manipulation, and studio and location lighting. Teamwork and artistry are accented. The comments are informal yet knowledgeable, and there is a glossary to help the reader. Admittedly specialized, Film Lighting will be of interest to movie buffs and film students, as well as subject specialists. Photographs and line drawings not seen. James L. Limbacher, Jayell Enterprises, Dearborn, Mich.
Copyright 1986 Reed Business Information, Inc.
About the Author
Kris J. Malkiewicz, author of the classic work Cinematography, is a graduate of the prestigious Polish State Film Academy. He helped to design the film department of the California Institute of the Arts and taught film at the Film Division of The Polytechnic in London, England.
Most helpful customer reviews
29 of 29 people found the following review helpful.
This is must reading for those interested in cinematography.
By Michael Frediani
Kris Malkiewicz has assembled some of the finestcinematographers and gaffers in the world to create a must-have bookfor all aspiring and working Directors of Photography. This book is both technical and creative in description of design and technique. From Nestor Almendros, ASC to Vilmos Zsigmond, ASC and other contemporary greats in-between--the reader learns lighting of sets, close-ups, background plates and much more. Both soft-light and hard-light techniques are covered too. Reading the meter is discussed by Caleb Deshanel, ASC who states, "Basically I use the meter after I have finished lighting" to Malkiewicz who states, "a caucasian face has about 35 percent reflectance, but a black face reflects less than 16 percent." He goes on to explain the proper technique for exposing dissimilar facial colors with reflective metering. The late James Wong Howe, ASC and Jordan Cronenweth, ASC are quoted describing their day-for-night techniques. All in all this book covers the basics and beyond and has served me well as a reference book that I consult from time to time, and recommend to others.
11 of 12 people found the following review helpful.
Not just a dull technical book . . . very interesting . . .
By hblee@cstone.net
I am an aspiring D.P., interested in lighting and camera operation. This book gives a good insight to the relationship between D.P. and director. It does not give dull "how to set up lights," but provides some interesting information provided by some outstanding cinematographers, many are members of ASC. I found it to be an excellent read.
6 of 6 people found the following review helpful.
A definate must read for cinematographers and directors
By Michael P. Terrell
I am a director and found this book to be really intersting. I really enjoyed hearing advice and techniques from a collection of accomplished cinematographers and gaffers. Too many books just merely point out that there are many ways to approach lighting a scene. This actually shows how different people choose to light particular scenes.
The only complaint that I have is that it is a bit out-dated. Personally, I use a lot of newer lighting equipment that was not mentioned (especially Kino Flo lights). Nevertheless, still probably the best lighting book I have encountered.
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