Download PDF Barry Lyndon, by William Makepeace Thackeray
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Barry Lyndon, by William Makepeace Thackeray
Download PDF Barry Lyndon, by William Makepeace Thackeray
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This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare’s finesse to Oscar Wilde’s wit, this unique collection brings together works as diverse and influential as The Pilgrim’s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.
- Sales Rank: #1499758 in Books
- Published on: 2012-04-24
- Dimensions: 10.00" h x .47" w x 8.00" l,
- Binding: Paperback
- 206 pages
About the Author
William Makepeace Thackeray was a nineteenth century English novelist who was most famous for his classic novel, Vanity Fair, a satirical portrait of English society. With an early career as a satirist and parodist, Thackeray shared a fondness for roguish characters that is evident in his early works such as Vanity Fair, The Luck of Barry Lyndon, and Catherine, and was ranked second only to Charles Dickens during the height of his career. In his later work, Thackeray transitioned from the satirical tone for which he was known to a more traditional Victorian narrative, the most notable of which is The History of Henry Esmond. Thackeray died in 1863.
From AudioFile
The racy memoirs of the Irish braggart and rogue who flourished, if that's the right word, in the late 1700s, are delightfully imagined by one of the great Victorian writers. Even more than Dickens, his contemporary, Thackeray can still beguile the modern reader, as is well testified in his first important novel. The recording begins with a tedious introduction that belabors the obvious and arrogantly tells us how to interpret what follows. John Cormack reads it dutifully before launching into an Irish accent and the main feature. He is sometimes very droll, but much of the irony of the narrative escapes him. Y.R. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine
Most helpful customer reviews
13 of 15 people found the following review helpful.
Shocking rise (and fall) of a rogue as told by a Victorian worthy
By LizaJane
Reading other reviews here I am amazed at the different (from mine) reactions. It is many years since I read the book; nevertheless it made an indelible impression. Having at the time only read and enjoyed the author's famous "Vanity Fair" and, long ago, "Pendennis," I was blown away by the totally unsentimental depiction of a entirely amoral anti-hero, scarcely to be expected in the work of any Victorian novelist. (The character of Becky Sharp in "Vanity Fair" is comparable, though her impact is considerably softened by the other, more conventional characters, as well as the third person story-telling.)
What most remains in my memory is the story of his pursuit of the wealthiest heiress in Britain. He wins her by the simple means of pursuing her relentlessly until she agrees to marry him just out of fatigue. (I've often thought that many a man could learn something about how to win a woman by reading this reprehensible account.) He then persecutes her young son cruelly, so viciously in fact that even he feels some regret for the suffering he causes the boy and his mother.
Told in the first person, the tale is so unvarnished and "in-your-face" that it seemed to me impossible to mistake the nature of the character Thackeray portrays. Though he constantly refers to his supposed aristocratic background, it is quite clear that like many another Irish opportunist, his lineage is nothing that a thousand others couldn't claim equally.
Essentially, this is a Victorian novel totally unlike any other Victorian novel I have ever read, and as such deserves many more readers than it has had, even allowing for those who picked it up after seeing the Kubrick movie (in my opinion a waste of film.)
8 of 9 people found the following review helpful.
Love Thackeray... Lyndon, not so much.
By Sam D. Maloney
Thackeray is one of the greats, and I highly recommend Vanity Fair or his other works to anyone who enjoys Austen and is looking to explore other authors that came just after her.
But I didn't enjoy Barry Lyndon: the first two thirds are a treat, as young Barry slowly makes his way in the world... but his utter brutality to his wife (once he's finally got one) makes me cringe. He becomes so completely contemptible that the reader longs for his destruction, but it is so long it coming that when it finally arrives it comes as less of a triumph than a simple relief that the end is finally near.
A worthwhile read for students of Thackeray or his era, but not for someone reading primarily for personal pleasure.
4 of 4 people found the following review helpful.
A worthy audiobook version of a tragic story.
By jblyn
Even in the days of its original publication, BARRY LYNDON was not one of William Makepeace Thackeray's most popular novels, and it perhaps would have remained obscure had not the late film director Stanley Kubrick read it, loved it and decided to make a movie based around it during the 1970s. Anyone coming to the novel by way of the movie will find that "based around" is an accurate description. It isn't only because whole sections of the novel are either truncated, altered or done away with entirely in the movie; it's that the entire tone of Redman Barry/Barry Lyndon's unfortunate history is completely different, with the only shared component being that the protagonist ends his days a penniless victim of his own hubris and folly.
The chief difference between novel and movie is the boisterous telling of the tale by Barry himself in the former, as opposed to the frequent dry observations of an omniscient third-person narrator in the latter. Throughout the book, Redman Barry portrays himself in glowing terms at every interval, boasting of his physical attributes, his skill, his daring and his bravery as he strives to become a true "gentleman" at any price. With every utterance, he shows the reader how complete a liar and fraud he really is, self-centered and self-pitying to the end even when owning up once in awhile to his faults. It takes a good narrator to keep the listener eager to hear this pathetic man's narrative to the end, and Jonathan Keeble is uniformly excellent in giving voice to Barry as he tells his tale. Not only does he convey the title character's delusions of grandeur and blindness to his failings with complete convincing skill, he gives the little nuances that show the listener that Barry is very much a human being and not just a caricature of one. In the few moments of tenderness that Barry exhibits, particularly in regard to his young son Brian, Keeble makes it possible for us to see that this is a man with a heart, however little of it he shows throughout most of the novel. Keeble is equally adept at giving voice to the other characters in Barry's story----his mother, his wife, his nemesis Lord Bullingdon and the rest-----and as complex as the novel's story is you're swept along, wondering what will happen next.
At 15+ hours, this is a lot of book to go through...but it's so wonderfully performed that you're sorry when it's over. Recommended.
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